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MUS 152: MUSIC 152
Clawhammer banjo technique is best learned |
from a teacher
|
Bill monroes main instrument was |
all of these
|
Akonting |
a string instrument
|
Giant radio transmitters in the 1920s broadcast |
from mexico, country music, medical advertisements, unregulated by the FCC.
|
Bluegrass music was named for the work of |
Bill monroe
|
A Super popular country singer who died in his cadillac |
Hank Williams
|
What was a source of humiliation for large populations |
Term: hillbilly and cajun, minstrelsy and blackface(ALL)
|
Historically the banjo has diffused across boundaries of |
race, class, geography, gender (ALL)
|
A phenomenon that featured early country stars, quack medicine, vast geographic coverage and a million watts was: |
border radio
|
The star banjo player of bluegrass in the 1940s |
Earl scruggs
|
A performer with oversized shoes, rolling eyes, goofy speech and dimwitted manner might be: |
hill billy recording artist, minstrel actor, sterotype, 19th century banjo player(ALL)
|
The banjo was first played by european americans in which context: |
Minstrel shows
|
The composer of dixie was: |
Dan emmett
|
A well know composer who wrote music for minstrel shows was: |
Stephen foster
|
The American Equivalent of apartheid was: |
Jim Crow
|
Minstrel shows were the site of: |
racist comedy, nostalgia, formation of public opinion, musical apprenticeship. (ALL)
|
The elevation of the banjo involved: |
Class issues, gender issues, mass-production, teaching methods (ALL)
|
Grand Ole opry is: |
a radio program
|
the person who bought the western style to country western music: |
hank williams
|
20This is______ |
Tom bee
|
21 This musician rep. |
hillbilly music
|
this is |
hank williams
|
this is an example from |
africa
|
the style of banjo playing is known as |
scruggs style
|
this style(bill monroe) |
bluegrass
|
this music would have first been heard by most americans |
on mexican radio
|
this song was composed during |
19th century
|
this FORM is an example of |
AABCBC
|