Art 100 Lecture 8 Outline of Last Lecture Review of Lecture 3-Puritan Art and Culture-The Southern Aristocracy-The influence of European Art in AmericaReview of Lecture 4-West and Smibert -John Singleton Copley-John Trumbull-Images of Washington-Thomas Jefferson’s Architecture-Shakers AestheticOutline of Current Lecture From Cultural objects to CanvassesBowls, totem poles, chestsIndian CultureCurrent Lecture1) Bowl style 1, birds and lizards, c. 750-mid 10th century, Mimbres pottery2) Bowl, style 3, mad bird, c. 1000-1150, Mattox site, Mimbres classic, black on white(The intertwining of the human and animal is a central theme in Mimbres pottery)3) Painted Shield, 1800-1834. Chief Arapoosh, Crow, Montana, moon designed buffalo hide, wood, feathers, cranes head- Arapoosh was the leader of the river crow- The center image on the inner cover represents the moon- Belly believed his shield possessed magical powers of prophecy 4) Totem Poles, Gitksan Tsimshian, British Columbia 5) Totem Pole, Tsimshian, British Columbia, carved head- Kinship groupings or clans were identified by specific animals which became the clans totem - Totem is a large free standing pole that is carved6) Woodcarving Chest, Haida, collected 1901, originally made as coffin for chief skedans, but used as a chest for blanketsThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.7) Transformation mask, Kwakiutl, Bullhead to sea raven, collected 19018) Transformation mask, Kwakiutl, Bullhead to Sea raven to man, collected 19019) Painted Buffalo Robe, battle of 1797, between Sioux and Ricaras against the Mandan10) Woman’s painted buffalo robe, Arapaho, box design, Wyoming, 1850-1875- Styles of painted designs for Plains woman’s buffalo robes include: horizontally stripped, bilaterally symmetrical, patterned circle, border-and-box, border-and-hourglass11) “Catlin Painting Mah-to-toh-pa, the four bears” Mandan Chief, George Catlin- Heightened presence of the Mandan chief in the composition and the connection between the Mandan and nature12) “Wi-jun-jon, (the pigeons egghead) going to and returning from Washington, 1832, George Catlin13) Chan-cha-uia-teuin (woman of the crow nation) Teton Sioux woman, 1833, Karl Bodmer- Bodmers painting are often much more precise in their rendering of costumes and facial features than Catlins due to his more extensive training14) Wakusasse, Fox (Muskake) Man15) “Mah-to-toh-pa” (four Bears), dressed as befits his rank, Karl Bodmer16) “Keokuk, sac” (watchful fox), 1827, Charles Bird King- At ease with a slight smile on his face- Simple medallion reminiscent of the peace medals distributed to Native leaders17) “Young Owmawhaw, War Eagle, Little Missouri, and Pawnees” Charles Bird