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CU-Boulder FILM 1502 - Film Image: Cinematography, Style, and Storytelling

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FILM 1502 1st Edition Lecture 7Outline of Last Lecture I. How do Framing, Depth, Film Stock, Color, Lighting and Composition express meaning?II. How has Cinematography changed over time?III. What are the different techniques utilized in the production of visual effects?Outline of Current Lecture I. What are the different ways that we can understand the filmic image?II. In what ways can we understand films as textual objects?III. Discussion: Scorsese’s Raging Bull utilizes a wide range of cinematographic techniques toexplicitly tell the story of La Motta’s life, how does it do so latently?Current LectureFilm Image: Cinematography, Style and Storytelling 9/18Animation- Traditional drawn animation- Stop-motion photographyo Claymation and pixilation- Rotoscoping: animation over drawing, overlays on film source material- Computer graphics (CG)o Success of Toy Story post Jurassic Park era leads to inclusion of CG more profound- Process shot: multiple shots combined into a single shot or sceneVisual effects (in support of film)- Effects and aesthetic o In camera (fast/slow motion)o Physical (models)o Post effectso Process shot  Rear projection-in background of shot, filmed before and projects Matte effects-happen after the shot, add in parts of setting through painting The Image- Image as presentation and representationo Presentation-image has trutho Representation-color truth w/ shape and meaning, abstract thought- Visual truth vs. meaning These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.- When is a chair not a chair?o Chair itself is real, photographed version is representation - Film is a representation of the truth-perspective and perception- Image as presence (identification, understanding)o Phenomenological image Point of view, places in the moment, physicality, cringing in movie imageo Psychological image Reflects characters state of mind, conveys feeling on screeno Identification through imagery-emotional attachment - Image as texto Interpretation and meaning o “how” and “what” is shown, cinematographyo semiotics and signs  referent systems-think of things differently Raging Bull (Martin Scorsese, 1980)- change from black and white to color- implies success in photographs- compression of time sequence-shows great family life- LaMotta is the center of all of it, point of conflict


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CU-Boulder FILM 1502 - Film Image: Cinematography, Style, and Storytelling

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