ARCH 350 1st Edition Lecture 5Outline of Last Lecture II. About Frank Lloyd WrightIII. Early ReferencesIV. Olmsted: Plan of Riverside Garden SuburbV. Wright’s structuresA. Wright House and StudioB. Winslow HouseC. Prarie HousesD. Ward Willits HouseE. Dana HouseF. Robie HouseG. Larkin Company Administration H. Utility Temple I. Imperial HotelOutline of Current Lecture I. Aspects of Art NouveauII. Eugene Viollet-le-DucIII. Structural RationalismIV. Art Nouveau: Importance of new materials and techniquesA. General TrendsV. Art Nouveau & La Belle ÉpoqueVI. Art Nouveau in Brussels, BelgiumB. Victor Hortaa. Hotel Tasselb. Maison du PeupleVII. Art Nouveau in Paris, FranceA. Henri van de Veldea. Office od Meier-Graefeb. Interior desginsc. DressesB. Hector Guimarda. Castel Berangerb. Metro StationThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.Current LectureThe Art NouveauI. Aspects of Art Nouveau - Idea of something new- Break with tradition of the classical pastII. Eugene Viollet-le-Duc- “employ the material according to their qualities and properties”- architect and writer- known for his restoration of medieval structures- wote Entretiens sur I’Architecture which stressed the importance of rationality in design- interested in Gothic as a source of “structural rationalism”III. Structural Rationalism- Gothic was more honest expression of materials and constructionIV. Art Nouveau: Importance of new materials and techniques- emphasize on craftsmanship- love of natural forms- interest in colorA. General Trendsa. Biomorphic which is curvilinear and free-flowingb. Geometric, angular and stylized, with emphasis on straight lines, rectangular formsV. Art Nouveau & La Belle Époque- time of beauty, innovation, and peace between France and European countries- new inventions made life easier in social life VI. Art Nouveau in Brussels, Belgium- industrial wealth- obsessive preoccupation with national identity- architects are anxious for the evolution of a modern and national designA. Victor Hortaa. Hotel Tassel- Brussels, Belgium, 1893-95- Structure as ornament - integrated aesthetic- extensive iron in domestic architectureb. Maison du Peuple- integration between ornament and structureVII. Art Nouveau in Paris, FranceA. Henri van de Veldea. Office od Meier-Graefeb. Interior desginsc. DressesB. Hector Guimard- best known art nouveau architect in francea. Castel Beranger- Paris, France, 1892- first major art nouveau building in Paris- won façade completion in 1896- luxury apartment houseb. Metro Entrance- Porte Dauphine, Paris, 1900- organic use of
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