TERMS atonality music that lacks a tone or center or key backbeat down beat bebop attitude remain anonymous back to crowd no requests no dancing beret hat worn in bebop Blue Note Records recorded artists that weren t commercial allowed input recorded when convenient to musicians 12 bar Blues 141144115411 Blues Revival occurred in 1960s African American Blues became mainstream Avant Garde wild crazy free form of improvised music call and response musicians play and respond to each other chord 3 or more notes at once contrafacts new melody over an existing set of chord progression Civil Rights Movement collective improvisation simultaneous improv by multiple musicians popular in early jazz Cool compositional less emotional sound laid back new instruments West inspired jazz cross fertilization mixture of ideas between America and Africa Dixieland Revival white kid sophisticated dropping bombs accents using the bass drum expatriate black jazz musicians moved from US to Europe feathering hitting the cymbal lightly Freedom another name for Avant Garde era funky Fusion jazz and rock mixture collective improvisation extreme ranges of volume and rapid shifts in meter tempo and mood goatee facial hair global music jazz in now a global music since it represents freedom and is sustained popular by innovations groove informal rhythmic pattern Hard Bop East coast answer to cool school popular music inspired by blues Paris inspired by musicians hi hat a symbol that has a top and bottom that can be clashed together using a pedal jukebox come on now media vinyl cassette CD MJQ Modern Jazz Quartet Milt Jackson John Lewis Ray Brown Kenny Clarke Modality bridges gap between hard bop and free jazz use of modes slow harmonic rhythm used interval of fourth often modern jazz multi track recording recording multiple audio sources onto one track to create a cohesive whole track Progressive Jazz White big band Western European composition large bass concert format swing is not the priority and blue is absent put the pots on another word for grooving by miles Davis R B short for rhythm and blues recording strike 1942 part of the decline of bee bop musicians union stopped all recording by union musicians hurt swing rhythm section drummer bass and one other chordal instrument ride cymbal steady rhythmic pattern rather than the accent of a crash riff short repeated musical phrase royalties money earned by artists sampling taking of one s piece and putting it into another scat wordless vocal improvisation swing Rhythmic phenomenon associated with jazz is evidence of the syncopated polyrhythmic nature of jazz syncopation when a stressed beat interacts with a non stressed beat Third Stream synthesis of classical music and jazz Gunther Schuller traditional or trad jazz trade fours Because drum solos can be disruptive jazz groups often prefer to trade short solos between the drums and soloists Trading fours fours meaning four bar segments vocalese lyrics are written for melodies that were meant for instrumentals woodshedding practicing over and over and over Young Lions musicians we known as the young lions got contracts gigs and publicity for being part of the jazz renaissance ESSAY 1 Decline of Swing Reasons for the decline of swing 1 Economic and political 2 Socioculture 3 Musical Musical reasons for decline of swing 1 Other forms became popular Dixieland Revival 2 Other artists recorded during the recording strikes i e singers 3 Little room for creativity within the swing arrangements Socioculture reasons for decline of swing 1 Lots of men began to enlist into the army for WWII 2 Dance partners were lost no more couple dances 3 The mood of the country changed and did not focus on the swing bands instead focusing on the war Economic and Political reasons for decline of swing 1 Bandleaders got the bigger check sidemen did not get as much 2 Gas rationing Big bands lots of cars lots of gas 3 Wartime shellac shortage restricted record production 4 American Federation of Musicians went on strike against recordings 5 Government restricted dancing Placed tax on dance floors and imposed midnight curfew ESSAY 2 Jazz Rock Fusion Characteristics of Jazz Rock 1 electronic 2 acoustic instruments 3 vocal backup 4 coming together of two styles 5 Latin influence 6 volume at higher double 7 music for the world PEOPLE 1st musical instrument voice 1st jazz expatriate Sidney Bechet Incubator band for bop Earl Hines 1st bop big band Billy Eckstine Orchestra 1st Afro Cuban drummer in Dizzy s bop big band Chano Panzo Queen of Jazz Ella Fitzgerald Queen of Blues Dinah Washington King of Alto Sax Charlie Parker Father of Progressive Jazz Stan Kenton Father of the Cool Lester Young Fathers of Avant Garde critics Ornette Coleman musicians Eric Dolphy Music Business Lecture 1 Ed and Guy Eckstein sons of Billy Eckstein 1 Guy Eckstine is the president of Iconique Music Group 2 Ed Eckstien is the founder and CEO of Debris Entertainment 3 Talked about the behind the scenes financial aspect of jazz 4 I learned about the dilemma record companies are facing with the growing popularity of music streaming which lowers record sales 5 They talked about growing up in a house with Billy Eckstein and the influences it had on their life 2 1 The second jazz seminar that I attended was held at the Falk Laboratory School which was a lot like an elementary school 2 3 Joe Lovano is a saxophonist John Petrechelli and another TA performed after Joe Lovano 4 The instruments that were played were the trumpet and saxophone LISTS San Francisco Jazz Dixieland Revival 3 Differences between Dixieland and Dixieland Revival Dixieland revival was primarily in Europe by white musicians and black expatriates and was hard bop based check on courseweb for more American musicians influenced by Sidney Bechet Econ polit socio cultural musical reasons for decline of Swing 4 Founding Fathers of Bebop Charlie Parker Dizzy G Thelonious Monk Kenny Clarke contribution of Charlie Parker changed how alto sax played and played revolutionary music but abused drugs 2 New York clubs during Bebop Era Monroe s Uptown House Minton s Cafe 3 aspects of Bebop Identity beret eyeglasses goatee dashiki muslim religion 2 part Kenny Clarke drumming innovation Ride cymbal changed basis of timekeeping bass drum played the beat with loud accents 3 future Beboppers in E Hines band 4 elements of Monk s contribution 4 Big bands that played Bebop 3 female musicians who played Bebop 3 characteristics of