1) The actor is the first person to shape a production after the playwright?TrueFalseQuestion 21/ 1pts2) The director is responsible for the overall unity of a production and for coordinating the work of actors and designers.TrueFalseQuestion 31/ 1pts3) The traditional director's starting point or foundation is the script.TrueFalseQuestion 41/ 1pts4) Determining the spine of the play, also referred to as the main action, is not important to a traditional director.TrueFalseQuestion 51/ 1pts5)Everymanis a medieval morality play.TrueFalseQuestion 61/ 1pts6)Important characters are frequentlyplaced on a level above other characters.TrueFalseQuestion 71/ 1pts7)The director meets with designers tomake sure their work is on schedule andkeeping pace with the rehearsals.TrueFalseQuestion 81/ 1pts8) It is not important for the director to choose a time period and location to set the play in.TrueFalseQuestion 91/ 1pts9) It is not important for the director to analyze the script.TrueFalseQuestion 105/ 5pts10) Match the character fromEverymanto their primary objective or goal.Confession Fellowship God Good Deeds KnowledgeComorts Everyman and gives the jew el of penance, counsels to ask God for mercy, and leads Everyman to put on the garment of sorrow w hich leads to forgiveness.Promises comfort and companionship but forsakes Everyman.Calls Everyman to give an account of his life after rejecting mercy and choosing to live like a beast.Unable to help at first meeting, but counsels Everyman to take sister know ledge for help. Question 111/ 1pts11) The controlling idea, vision, or point of view that the director feels is appropriate for the play; it should create a unified theatrical experience for the audience.expressionismthe auteurdeconstructiondirectorial conceptQuestion 121/ 1pts12) Symbolic representation of abstract themes through characters, action, and other concrete elements of a play.naturalismallegorythe spinefarceQuestion 13Leads Everyman to Confession.1/ 1pts13) Pattern and arrangement of performers' movements onstage with respect to each other and to the stage space, usually set by the director.castingauditionblockingtypecastingQuestion 141/ 1pts14) The individual who works on literary and historical issues with members of the artistic team mounting a theatre production.auteurstage managerproducerdramaturgQuestion 151/ 1pts15) The individual who works as the right-hand person to the director, doing such tasks as takingnotes, keeping track of blocking, noting decisions about visual elements, communicating with allof the designers, making sure everyone is aware of rehearsal schedules, and keeping daily reportsand logs.auteurstage managerproducerdramaturgQuestion 161/ 1pts16)A rehearsal performed as if an audience were present,with no stops or interruptions and withfulllights, scenery, costumes, and sound.Tuck and runTechnical rehearsalDress
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