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ART 113F ~ ARTHI 6B/6CJaime Perez 1ARTISTS (SORTED CHRONOLOGICALLY) Dante Alighieri (1265-1321) • “La Vita Nuova” • “The Divine Comedy” Bonaventura Berlighieri (1234-1244) • Saint Francis Altarpiece. Church of San Francesco in Pescia, Italy. (Tempera on wood). Nicola Pisano (1258-1278) • Pulpit of Pisa Cathedral baptistery. Pisa Cathedral in Pisa, Italy. (Marble). • The Annunciation and the Nativity. Pisa Cathedral in Pisa, Italy. (Marble relief). Giovanni Pisano (1250-1320) • The Annunciation and the Nativity. Church of Sant’ Andrea in Pistoia, Italy (Marble relief). Pietro Cavallini (1273-1308) • Seated Apostles of Last Judgment. Church of Santa Cecilia in Trastevere, Rome, Italy. Cimabue (1240-1302) • Madonna Enthroned with Angles and Prophets. Galleria degli Uffizi, Florence. (Tempera on Wood). Vasari (1511-1574) • “The Lives” Giotto (1265-1337) • Madonna Enthroned. Galleria degli Uffizi, Florence. (Tempera on wood). • Interior of Arena Chapel (Scrovegni Chapel). Padua, Italy. o Lamentation. Arena Chapel in Padua, Italy. (Fresco) Duccio (1278-1318) • Virgin and Child Enthroned with Saints of Maestà Altarpiece. Siena Cathedral of Siena, Italy. (Tempera on Wood) • Betrayal of Jesus of back of Maestà Altarpiece. Siena Cathedral of Siena, Italy. (Tempera on Wood). Simone Martini (1285-1344) • Annunciation. Galleria degli Uffizi, Florence. (Tempera and gold leaf on wood). Lorenzetti Brothers (1320-1348) • The Birth of the Virgin from the Altar of Saint Savinus. Siena Cathedral of Siena, Italy. (Tempera on wood). • Peaceful City from Effects of Good Government in the City and in the Country. Sala della Pace, Palazzo Pubblico of Siena, Italy. (Fresco). • Peaceful Country from Effects of Good Government in the City and in the Country. Salla della Pace, Palazzo Pubblico, Siena, Italy. (Fresco).ART 113F ~ ARTHI 6B/6CJaime Perez 2Orcagna (1343-1368) • Tabernacle of Or San Michele. Church of Or San Michele of Florence, Italy. (Mosaic, gold, marble, lapis lazuli). Bernardo Daddi (1290-1348) • Madonna and Child with Saints. Church of Or San Michele of Florence, Italy. (painted panel insert). Francesco Traini (1321-1363) & Buffalmacco (1320-1336) • Triumph of Death. Camposanto, Pisa Cathedral, Pisa. (Fresco). Limbourg Brothers • January from Les Très Riches Heures du Duc de Berry. Musèe Condè, Chantilly. (Ink on vellum). • October from Les Très Riches Heures du Duc de Berry. Musèe Condè, Chantilly. (Ink on vellum). Claus Sluter (1380-1406) • Well of Moses. Chartreuse de Champmol, Dijon, France. (Limestone with paint). Melchior Broederlam (1387-1409) • Annunciation and Visitation from Retable de Champmol. Chapel of Chartreuse de Champmol, Dijon, France. (Tempera on wood). • Presentation and Flight into Egypt from Retable de Champmol. Chapel of Chartreuse de Champmol, Dijon, France. (Tempera on wood). Jan Van Eyck (1390-1441) • Ghent Altarpiece. Saint Bavo Cathedral, Ghent, Belgium. (Oil on wood). o Patron: Jodocus Vyd and Isabel Borluut • Giovanni Arnolfini and His Bride. (Oil on wood). • Man in a Red Turban. (Oil on wood). Rogier Van Der Weyden (1400-1464) • Deposition. Notre-Dame-hors-les-murs, Louvain, Belgium. (Oil on wood). o Patron: Archer’s Guild • Last Judgment Altarpiece. Hôtel-Dieu, Beaun, France. (Oil on wood) o Patron: Nicholas Rolin • Portrait of a Lady. (Oil on wood). Dirk Bouts (1415-1475) • Last Supper from Altarpiece of the Holy Sacrament. Saint Peter’s, Louvain, Belgium. (Oil on wood). Hugo Van Der Goes (1440-1482) • Portinari Altarpiece. Sant’Egidio, Florence, Italy. (Tempera and oil on wood). Hans Memling (1430-1494) • Virgins with Saints and Angels of Saint John Altarpiece. Hospitaal Sin Jan, Bruges, Belgium. (Oil on wood).ART 113F ~ ARTHI 6B/6CJaime Perez 3Robert Campin (1378-1444) • Mèrode Altarpiece and The Annunciation. Mèrode family house. (Oil on wood). o Patron: Peter Inghelbrecht Petrus Christus (1410-1472) • A Goldsmith in His Shop, Possibly Saint Eligius. (Oil on wood). Hieronymus Bosch (1450-1516) • Garden of Earthly Delights [Creation of Eve & Hell]. (Oil on wood). Jean Fouquet (1420-1481) • Melun Diptych [È Stephen Lochner (1400-1451) Konrad Witz (1400-1446) Veit Stoss (1447-1533) Riemenschneider (1460-1531) Michel Wolgemut (1434-1519) Martin Schongauer (1430-1491) "14TH CENTURY ITALIAN ART • Renaissance o Characterized by a growing concern with the natural world, the individual and humanity’s worldly existence. o The rebirth of art and culture. o A revived interest in classical cultures. The City-States: Politics and Economics • City-States o Each consisted of a geographic region, varying in size, dominated by a major city. o Most of which were republics – governed by executive bodies. o The separate economies determined independence. ▪Port cities expanded maritime trade. o Guilds protected members’ common economic interest against taxation and provided them with means to regulate work quality and membership training. The Black Death • Stimulated religious bequests and encourage commissioning of devotional images. The Great Schism • The College of Cardinals elected French pope, Clement V, who settled in Avignon instead of Rome. • One French pope (Clement VII) and one Italian pope (Urban VI) were elected.ART 113F ~ ARTHI 6B/6CJaime Perez 4• Resolved when Holy Roman Emperor Sigismund elected a neutral Roman pope, Martin V. Vernacular Literature • The development of a commonly spoken literature. • Expanded the audience for philosophical and intellectual concepts. Reviving Classical Values • Humanism – human values and interests distinct from, but not opposed to, religious values. • The study of Latin classics and emulation of Roman civic virtues. o Service to the state. o Participation in government. o Defense of state institutions. • Recovery of Greek and Roman literature and philosophy. An Artistic Transition • Late Gothic of late thirteenth and fourteenth centuries also referred to as Early Renaissance. "Maniera Greca • Bonaventura Berlinghieri and the Francis Altarpiece displayed maniera greca (Greek style), emotion. • The shallow space and the linear flatness of the Byzantine tradition was still present Mendicant Orders and Confraternities • The pope’s absence from Italy (Avignon papacy) was compensated with mendicants (begging friars). o Renounced all worldly goods and


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