Visual Design Exam 2 Study GuideDefinitions:•Hue-A property of color defined by distinctions within the visual spectrum or colorwheel. "Red," "blue," "yellow," and "green" are examples of hue names. •Value- The lightness or darkness of an object, regardless of color•Intensity-The saturation of hue perceived in a color •Tone-Also known as value; The dominance of a single color of the visual impor-tance of a hue that seems to pervade the whole color structure despite the presence of other colors.•Shade-A hue mixed with black •Tint-A hue mixed with white. •Neutral- A colors saturation or degree of departure.•Monochromatic- A color scheme that involves the use of only one color•Analogous-A color scheme that combines several hues located next to each other on the color wheel •Complementary-A color scheme incorporating opposite hues on the color wheel. Complementary colors accentuate each other in juxtaposition and neutralize each other in mixture. •Split Complementary- A color scheme that is related to the complementary scheme but employs colors adjacent to one of the complementary pairs.•Triadic-A color scheme involving three equally spaced colors on the color wheel.•Tetradic- A color scheme made by a rectangular shape on the color wheel.•Optical Mixing-Color mixture created by the eye as small bits of color are per-ceived to blend and form a mixture. •Color Constancy-An aspect of human perception that allows us to see size or color or form as consistent even if circumstances change appearancesMatching1. Same Color Variety of Value2. Equal Parts of Complementary Colors3. Add White4. DarknessA. TintB. ValueC. NeutralD. Monochromatic1.D 2.C 3.A 4.BTrue/False1. The value is the lightness or darkness of a colorTrue2. A complement harmony would utilize side by side colors on a color wheelFalse, Analogous Color Harmony is when color are side by side on the color wheel3. The hue of a color is made by adding greyFalse, adding grey creates a tonePsychology of ColorSimultaneous Contrast-The effect created by two complementary colors seen in juxta-position. Each color seems more intense in this context. Visual Acuity-monochromatic backgrounds make it easier to pick out color, ie. clarity of colorSuccessive Contrast- colors are modified based on the order they are seen; it is subjec-tiveContrast and Adaption-when we automatically insert a missing colorTrue/False1. Color after-images are negative2. Monochromatic background makes it more difficult to pick out colorsFalse, it makes it easier3. Simultaneous contrast means that actual differences in touching colors seem exag-geratedTrueOptical Mixing-placing small units of color side by side so that the eye perceives the mixture rather than the individual component colorsKnow Different Color Theories: Munsell - A color vocabulary that describes the various aspects of color and how they interact. Pure hues are located at the equator of the sphere, number 5 on the value scale, the vertical trunk represents gradations of value, the horizontal slices represent gradations in chroma or intensity for each hue.Additive/Subtractive-Colors of light mix according to the additive process, Red Green and Blue are the primary colors of light. The subtractive mixing system describes how pigments are mixed (magenta, cyan, yellow) the more pigments that are blended, the more light is absorbed and the less light is reflected. Matching1. Bright Green2. No Color3. Dark Blue4. Red and GreenA. HarmonyB. NeutralC. IntensityD. Shade1.C 2.B 3.D 4. ATypographical Order-Heavy on topArchitectural Order-Heavy on bottomDefinitions•Line-A visual element of length. It can be created by setting a point in motion. •Rhythm- the feeling of organized movement•Shape- A visually perceived area created either by an enclosing line or by color and value changes defining the outer edges•Form-The visual aspect of composition, structure, and the work as a wholeKnow those definitions and be able to pick them out in multiple choice*An interruption in a design can also be called a rhythmLineKnow Line aspects and variations: Path:Straight, curve, jagged, wavyThickness: Think, thinContinuity: Continuous, broken, dottedEdge/Sharpness: Sharp, fuzzyEdge/Contour: Smooth, ShapedConsistency: Solid/closed, porousLength: Long, shortGive a definition of a line and be able to choose the physical and psychological effects created by it:The edge of an object of the effect created by the edgeMultiple choice:A wavy broken thin line suggests:A. Masculine, certain, assertiveB. Dignified, smooth, passiveC. Undulating, casual, gentleD. Feminine, consistent, sureD.Understand the visual impact of outline types:Outer lines create the edge between apparel, body, the environment. Inner lines divide the product/image into smaller parts.Understand the three types of lines:•Actual- exist in space•Implied- do not actually exist; we fill int he blanks•Psychic- no real line, not even intermittent points•Understand visual impact of:•Horizontal- implies quiet and repose, sleep•Vertical- implies strength, action, and stability •Diagonal- implies movementChoose the correct Rhythm:1. Repetitive-a group of elements in an arrangements at unequal intervals2. Progressive-utilizes similar elements that change in a regular manner3. Alternating- a consent element, uninterrupted by changeA. B.C.1. B 2.A 3.CShape and FormUnderstand and be able to identify four categories of shape:1. Natural-copy nature(human, animal, plant shapes)2. Geometric-mathematically formed of have the illusion of being mathematically formed3. Abstract- when a natural shape has been altered to emphasize its essential qualities without reference to realistic depiction (biomorphic-a shape that allude to or-ganic, natural forms)4. Nonobjective- shapes with no object reference and no subject matter sugges-tionPositive and negative shapes:Different visual effects are cause solely by placement within the formatIsolation or integration:Right visual shows similar shapes in the exact same positions as the left