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THET110 NotesWednesday, September 02, 2009- Why don’t people go to the theatre?o Costo Accessibilityo Theatre more aural than visualo Lack of advertisingo “Graying of the American audience” Audiences are getting older, and no younger generations are replacing them.- Why study theatre?o Universality of theatre All cultures have some sort of theatrical performance Represents how cultures were.o Theatrical impulse Aristotle wrote (The Poetics, 335 BC) about the innate mimetic (imitation) desire in humans.- Definition of theatreo Must have… Performer or actor Audience Text (not always written) “Liveness”o Communication interaction model- -> message -> Sender Receiver- <- feedback <-o Theatre requires actiono Theatre requires a spaceo Theatre uses actors. Actor is a performer who impersonateso Theatre relies on “liveness”.o Theatre is ephemeral. Ephemeral : Short lasting, fleetingo Theatre is aesthetic not efficacious. Aesthetic : Relating to beauty. Efficacious : Has an effect A ritual is efficacious because you come out of the ritual changed.o Theatre is a hybrid form. It combines many different art forms.o Theatre is a collaborative art.- How do audiences negotiate the theatre event?o Theatrical conventions : Rules or shorthand that the audience agrees to accept. EG: Lights dimming means that time has elapsed, young men may play female roles in earlier times.o Willing suspension of disbelief : Although we know the events of a play are not real, we agree for the time we are in the theatre not to disbelieve them.o Aesthetic distance : We remember that events on stage are not real so we do not intervene.Wednesday, September 09, 2009- Theatre Etiquetteo Before performance Dress should be nicer than usual Arrive early Read the programo During performance No texting No noise No food or candy wrapperso After performance No early departures Choose your standing ovations Be careful what you say when leaving- The 11-oclock number : The big crowd pleasing number featuring the star.- How to think critically about performanceo The theatrical production is the sum of a set of choiceso Generally theatre starts with a playtext from a playwright What and how to convey a storyo Producer or artistic director may put on a certain play due to… Money Politics Education Bring in a specific audience or cater to one Casting decisionso Director : Generally a directory is hired to match the play “Director’s concept”: What message the director wants to convey- Designers- ActorsMonday, September 14, 2009 – Guest Lecture- Dramaturge: A person who is really good at analyzing plays.- “Theatre is the sum of a set of choices”o What are the choices?o How do they work?o 1. Identifyo 2. Evaluate- Production: What you are going to see on-stage- Play: Can be read or seen- World of the play: Everything that is happening at the play.- Playwright choices when writing a playo Subject Anything from history Biography Autobiography Current events / contemporary life Abstract inspiration Existing source materialo Settingo Characterso Dialogueo Actionso Themeso Textures The little details that make it uniqueo Creating a blueprint for a production- How to read a playo Start with the title Sometimes a subtitle as wello Cast of characterso Stage directions Everything in the playtext that isn’t dialogueo Throughout the play, look for Given circumstances Themeso Plot: The order of events in the play. Plot types- Linear / Climactico Exposition: Basic informationo Point of attack: Something happens that kicks off the rest of the actiono Rising actiono Climaxo Falling action- Episodic- Cyclicalo Story: The whole thing.o Character types Protagonist: Character whose desires sustains the dramatic action Antagonist: Character who creates complications for the protagonist Foil: Character who sets off another character by contrast- Dramaturgs are found in different sittuationso Literary managers Hired by a regional theatre to manage the scripts library Select the seasono Production dramaturgs Hired for one specific play to aid in research- Research the playwright- Research the context of the play- Research the major productions- Research the context for this production- Research visual images Communicate with the production team- Directoro Share info from research- Actors- Designers- Marketing Communicating with the audience- Lobby display- Program notes- Pre and post show talkbackso New play dramaturgs Working with playwrights to help completion of play- Challenges of sceneso Long distanceso References to specific placeso Size of cast- Translation: Every translation is an adaptationo Problems with translation Meaning Tone Poetry Commercial and academicExtra credit: @ Roundhouse: 26 Miles, Portrait of Dorean GreyWednesday, September 16, 2009 – Cary Gillett- Cary: UMD theatre major. Wanted to act, decided againsto Went into stage management.- Production Manager: Sees a production from beginning to endo Sees what play will be doneo Starts the ball rolling Researches everything Coordinates design, actors, everything Communication and coordination Sets up auditions, but does not go to them Oversees rehearsal process to ensure communicationo Director’s job stops when the show openso All about communication- Stage Manager: “For the show”o Focus on one specific showo Sees show from beginning of rehearsals to the end of the runo Responsibilities At every rehearsal to ensure that information gets relayed to each department- Rehearsal doesn’t take place in the theatreo Tape on flooro Cheap costumes- EG: Director says ‘that coat needs to be red’. Stage manager tells art director- Takes blocking (anything an actor does on stage)o EG: Enter stage left, sit down, pickup cup….o Useful if an actor forgets what to do, or if a new actor comes ino All blocking is kept in the prompt script It belongs to the theatre, not the stage manager- “Off book”: When an actor has memorized his / her lineso Stage manager is always on book to feed actors their lines, and takes note of actor’s mistakes (“line notes”) At every technical rehearsal- Takes place onstage with set, lights, and props- Notates everything that takes place onstage so that it can be recreated the same way for


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UMD THET 110 - Lecture notes

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