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- Difficulties in studying theatre historyo Extant- lack of existenceo Language barrier- outdated termso Broad generalizations versus in deptho Focusing on Western Theatreo Large generalizations about time and geographieso Ephemeral form and limited extant material- Sources of info Greek Theatreo Extant texts, famous vase, commentaries, visual art, archeological remains- Globe Theatreo deWitt drawing of Swan Theatre, Washington Crossing the Delaware, renderings- Origins of Western Theatreo Invented by Greeks, ritual theorieso Gerald Else’s Great Man  Actor thespis- enacted role of God Playwright Aeschylus- dithyramb, introduced second actor- Greek Worldo Political structure- democracy, city/stateo Athens- artistic, Sparta- military, Delphi- magico Religion- polytheistic, Gods interacted with humanso Cultural values- competition, wisdom, reason, rhetoric, oratoryo Dionysus- god of wine, fertility, revelryo Occasional and competitive Tragedy means ‘goat song’ Festival dedicated to theatre After- 3 festivals/year, 3 tragedies plus 1 satyr play = tetralogy Audience- whole polis- Theatre as Civic Dutyo Choregos- house, feed, train chorus actorso Theoric Fund- free tickets for poor Athenians- Three types of playso Tragedy, satyr, comedyo Tragedy Oedipus- thinks he can change the prophecy- kill father and save mother, outsmart gods Tragic hero, fatal flaw, gods are heroes, part of trilogy, based on historical/mythical stories, feature kings/queens/gods Teaches audience lesson and allow them to release emotions Aristotle’s Poetics- Pity and fearo Comedy Crazy, happy, idea Lystrata- women decide to not have sex with husbands to make them stop the war Humor comes from sex jokes, satires of famous people, scatological/potty jokeso Satyr Play Feature goat/man, written to accompany tragedies, parodied mythical stories, only one extant satyr play- Cyclopso Thousands of plays written but only 32 tragedies, 12 comedies survive from 4 playwrights- Thespis- playwrightso Aeschyus- introduced 2nd actoro Sophocles- most successful, introduced 3rd actoro Euripides- least popularo Aristophanies- ancient comedies w extant plays- Theatre Practiceo Actors- all men, max of 3, exempt from militaryo Chorus- between 50- 14 men, spoke in unison Characters in play, townspeople in Oedipus, source of discussion w/ protagonist, provide spectacle- Physical Theatreo Theatron- seeing place, where audience sitso Orchestra- dancing placeo Skene- building at back of stage, façade stage, backdrop for stageo Parados- entrywayso Thymde- altar- Special effectso Mechane- crane standing behind scene, fly in godso Ekkyklema- revolving/rolling platform behind skene doors- Music- flute or harp- Costumeso Tragedy- robes and accessories to show charactero Comedy/satyr- padded body suit, males wore phallis- Rome to the Renaissanceo Greek, Roman, Medieval, Renaissance- Roman Theatreo Roman built up from ground level, higher than greek, greek built into hillsideo Scenae frons- closed theatre, ornamented front of building of stage, audience always lookino Vitruvius- roman architect, wrote on Architectureo Comic Playwright- platutus- influential Terrence- 6 plays, used greek material, everyday languageo Tragedian- Seneca- all adapted by greek originals, may not have been publically presented, famous for rhetoric and aphorism, violent and sensationalo Spectacle entertainment- chariot racing, horse racing and o Fall of Rome Military over-extended, mercenaries revolted, administration broke down, raiding barbarians attacked infrastructure, church was left to pick up the pieceso Decline of empire/ rise of Christian Initially illegal to be Christian in Rome Were among persecuted groups Constantine made it legal to be Christian Emperor deposed, pope Gregory to pick up the pieces- Medieval Theatreo Trends in Anti-theatricalismo Plato’s republic- theatre is lying and distracts us from what is trueo Terullian- theatre is a mob enjoying violent spectacleo Renaissance critics- theatre is the body on display for saleo English and American- theatre is a waste of time and moneyo Church theatre? Medieval opposed, not possible Eventually starts to use performance Morality play- virtue and how to love, allegorical, everyman/mankind main character Mystery- stories from Bible or lives of saints, part of festivals, passion plays- Renaissance- rebirtho Begins in Italy and spreads throughout Europeo Greek and Roman ideas are rediscoveredo Printing press and travel spread ideaso Rediscovering theatrical lit and relearning Greeko Plays discovered- archeology, libraries, ottoman and Arab worlds- Neoclassical unitieso People wanted of follow Aristotle’s rules Unity of Action, unity of place, unity of time- Renaissance Academieso From lit to practice- Perspective sceneryo Take vitreous add perspective scienceso Scenic design invented by renaissance artists and trick of the eye designs- tragic, comic, pastoral- Who pays for theatreo Greek and roman- civically fundedo Medieval- church or charity fundedo Renaissance- wealthy men- Professional theatreo Comedia del arte- theatre of the professionalo Arte- skill, craft, technique, professionalo Commedia erudite- theatre of academies- Commedia del Arteo First modern professional theatre and first professional actresso Dominant theatre form in Europe for 200 yearso From London to Moscowo Translation tours and royal court visits- Lady Believed Deado Scaramuccia- physical style, slap stick, masks- Shakespeareo Born 1564 in Stratford, father was glover and alderman, King Edwards IV Schoolo Marries Anne Hathawayo Theatre in London Develops from religious plays and commedia del arte Theatres outside city limitso Queen Elizabeth, then King James becomes ‘The Theatre”o Lord Chamberlain’s Men become the Kings Men Originally housed at the Theatre then built the Globeo Theatre architecture All outdoor theatres Mysterious Ways we know- drawings, diary, archaeology Multi-sided, 3 tiers of seating, tiring house for change of clothes and scenery, area for audience to stand- Shakespeare Playso 600 English Ren. Plays extant, he wrote 38o published in quartos and folioso What he wrote- comedies (chaos to order), tragedies (order to chaos) and histories, problem plays/romanceso Iamb- unstressed syllable followed by stressed- iambic pentameter- Private speeches to Audienceo Aside- to others onstageo Soliloquy- alone


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