Peter Paul Rubens, The Raising of the Cross (1610-11)Diagonal plane begins in the bottom forefront and travels back into space.Creates a tension between the viewer and what is represented.Exaggeration of bodies, and sense of palpable physical struggle, like Michelangelo.Contains the high contrast that Caravaggio’s work had.Barking dog- agitationHenri IV Receiving the Portrait of Marie de’ Medici (1635)Extremely political and allegoricalCatholic vs. Protestant conflictNicolas PoussinLandscape with saint John on Patmos (1640)Relatively thin application of paint; paint does not look tactile.Jusepe de RiberaThe Clubfooted Boy (1642)A portrait of a young, mute, orphan beggar.In Latin, note reads “For the Love of God, give me Money”The painting is painted from a lower perspective, the way that saints are painted.Gum disease, rotted teeth, carrying a cane because he cannot properly walk… smiles at the viewerArth 112 1st Edition Lecture 23Current Lecture Peter Paul Rubens, The Raising of the Cross(1610-11)- Diagonal plane begins in the bottom forefrontand travels back into space. - Creates a tension between the viewer andwhat is represented. o Exaggeration of bodies, and sense ofpalpable physical struggle, likeMichelangelo. o Contains the high contrast thatCaravaggio’s work had. Barking dog- agitation Henri IV Receiving the Portrait of Marie de’Medici (1635)- Extremely political and allegoricalo Catholic vs. Protestant conflict Nicolas Poussin- Landscape with saint John on Patmos (1640)o Relatively thin application of paint;paint does not look tactile. These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute. Jusepe de Ribera - The Clubfooted Boy (1642)o A portrait of a young, mute, orphanbeggar.o In Latin, note reads “For the Love ofGod, give me Money”o The painting is painted from a lowerperspective, the way that saints arepainted. o Gum disease, rotted teeth, carrying acane because he cannot properlywalk… smiles at the
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