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UW-Madison COMARTS 155 - Non-Fiction Story Telling II

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Com Arts 155 1st Edition Lecture 16Outline of Last Lecture I. Ira Glass and Podcast ExamplesII. EthicsIII. Documentary: Facing FearOutline of Current Lecture I. Facing FearII. Tracking SoundIII. The TruthCurrent LectureFacing Fear Music It sets the tone for the scene; the genre is based on the emotion you want the audience to feel Music had chilling effect Lighting Relatively dark with dark conversations and lighter when there is forgiveness Use of shadows can be evocative Camera Work Use the cinematography to evoke a sense of place Not able to record what happened, so you change camera to show first person perspective Holding back to heighten effect: idea of subtlety and restraint Conversational One would follow the other up; they tell the story together which adds momentum. Shifting perspectives without contrast.  Pauses Sometimes less can be more when it comes to silence Sometimes more can be more, tooTracking SoundThese notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute. Beginning: Good background vocal layering Girl Screaming: Having sound of girl screaming with abrupt transition Memory opening: Nonsense, abstract sounds Nod at Alice and Wonderland Background voices are connected to main story More than one source of a story Rhythm: Talk, then let clip play, then talk, let clip play… Builds suspense by having clip play then talk Beginning: Just the sound of the air on the microphone Watch Sound Effect: Evocative sound Use of fading in and fading out in the beginning before doing the jump Abrupt transitions and fades which are gradual: When do you want dramatic cut and when do you want gradual fadeThe Truth Interesting use of sound presence and perspective: Didn’t have to told you’re inside or outside the car Funny: The dialogue works and sounds live; it was written but the performers improvised it If you want something to sound like people are talking, they can’t be looking at a script Can write a script for people to read through, but then take it away so it’s in their own


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UW-Madison COMARTS 155 - Non-Fiction Story Telling II

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