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CU-Boulder FILM 1502 - Final Exam Review

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FILM 1502 1nd Edition Lecture 27Outline of Last Lecture I. What is Transmedia Narrativity and how has it impacted film production, distribution, exhibition, and marketing?II. What are the larger implications of media hybridity in terms of what cinema is going to become?III. Where do we go from here?Outline of Current Lecture I. Final exam review Current LectureFinal Exam Review 12/12 (exam includes everything after the midterm)Cache de cinema -French film critics -termed film noir from American film after the war -many successful filmmakers came from this groupFilm Noir-cycle not a genre, has clear starting and end date -ended with Touch of Evil (Wells)Melodrama=subgenreDrama=genre Kenith Anger, Phillip Solomon, Stan Brakage--Look in syllabus under list Francis Fortcopilla - Apocolypse now, The Conversation Coding and LGBT-way for early filmmakers to get around production code--coding as gay Historical constructions of how things have changed over time -aesthetic -WWII-shift in cinema, effects culture consumption and creation These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute.Phenomenology -horror film important-tension and jumping, bodily response-melodrama and drama-emotional response Transmedia-same idea, but new take of it across many media sources-distinct media artifacts ex. Superman radio show, comic books -its additive -multiple expressions of the same intellectual property --fan fiction Hybrid Media-radio show into TV show-distinct media brought together and hybridized-ex. Avatar and Jurrasic Park use of CG Non US genres-Hymat film in Germany Autorism (Cache de cinema termed)-film authorship-the film director is its author, their creative vision Periodization-look at history in bubbles of time, specific periods Fight Club differences-narrater differences-what they know, when they know it -project mayhem differences -the endings-why different Lyricism -personal cinema, about the filmmaker and their personal experience communicating in an intimate way Historiography-philosophy of looking at history -how histories are written, think about narratives and how structured --history is constructed Verisimilitude -appearance of truth and reality, seeming realityWalter Merch -important editor Altman -overlaps sounds Paramount decision-impact on film industry-more indie films, exploitation films, porn Herztog-directors more than most documentary directors Palimsest-haunted by past connection of adaptivity Semantic vs. syntactic -exclusive: only certain films that can be definitely western -inclusive: cowboy hat, is a western-not inherently western --semantic: spurs, horses, hats-western --syntactic: thematics, manifest destiny-western Shooting ratio-relationship b/w total footage shot and total footage


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CU-Boulder FILM 1502 - Final Exam Review

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