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UA MUS 108 - Final Exam Study Guide

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MUS 108 1nd EditionFinal Exam Study GuideMain subjects learned this semester:-Flamenco-Isicathamiya/Mbaqanga -K-pop-Oye Mi Canto-Reggae -West African culture in ties to their music-New Latin Wave-Indian Popular Music-Graceland- Within each subject presented during this class, you should know:o Background- both the performers background and the background of the music presentedo Key elements- key elements that tie the music to the culture and tie the music to the issues occurring in the countrieso Vocabulary- memorize and know the meaning of each of the terms providedo Artists- knows the main artists provided within each country of music and how they influenced the music. Also know how these artists influenced the musico Difficulties- know the aspects that negatively impacted the artists and the music, what obstacles got in the way of the creation and expansionof the music?o How do identify and separate each type of music. Know the characteristics each genre of music shares and be able to elaborate on what differentiates that area of music from the rest- Vocabulary:o Appropriationo Collaborationo Commodificationo Cultural productiono Globalizationo Identityo Music festivalo Music industryo Musical behavioro Musical elementso Musical tourismo Transculturationo A cappellao Call and responseo Ostinatoo Improvisationo Imbubeo Isicathamiyao Marabio Kwelao Mbaqangao Bubblegumo Kwaitoo Globalization:o Commodification: o Authenticity:o Appropriation:o Collaboration:o Musical industry: o Cultural production:o Cultural exchange:o Ethical issues:o Legal issues:o Music festival: o WOMAD:o Fes festival:o Musical tourism:o Virtual tourism:o Distributed tourism:o Malio Senegalo Mande/Mandinka peopleo Yoruba peopleo Nigeriao Wolof peopleo Jali/jelio Géwël peoplePossible short answer exam questions:1. What were Paul Simon’s methods for composing? Did he compose all of his music in South Africa?2. Should the studio musicians have been paid more? Why or why not?3. What was Peter Gabriel most known for composing?4. What were Carol Muller’s overall thoughts on “Graceland” and Paul Simon?5. Peter Gabriel played a significant role in the ‘world music’ movement as an appropriator and collaborator. In which composition did he collaborate with a West African performer?6. Why did Paul Simon ignore the cultural boycott when he traveled to South Africa in 1985?7. Why did “Graceland” cause such a stir around the world?8. What impact did the album have on South African music?9. Would “Graceland” have been the same if it weren’t for the South African artists that collaborated with


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UA MUS 108 - Final Exam Study Guide

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