MUSI 2060 1st Edition Lecture 24Outline of Last Lecture I. The Whoa. Transitionb. Late Who CharacteristicsII. The Rolling Stonesa. Influencesb. Important Peoplec. First Style Periodd. Second Style PeriodOutline of Current Lecture I. The Rolling Stonesa. Second Style Period (cont’d)b. Third Style Periodc. Fourth Style PeriodCurrent Lecture- The Rolling Stoneso Second Style Period Characteristics (cont’d)- Use folk, ethnic instrumentso Sitar, “Paint It Black”o Dulcimer (plucked), “Lady Jane”- Expressive imagery in lyrics- Music designed to fit the meaning and rhythm of the text- Asymmetric balance between melodic phrases, between verses and chorus- Many songs based on a rif Song examples:- “Paint it Black”- “Sympathy for the Devil”o Based on novel The Master and Margaritao Verse (17 measures), Chorus (8 measures)o Many layers of instrumentso Third Style Period (1969-1974)These notes represent a detailed interpretation of the professor’s lecture. GradeBuddy is best used as a supplement to your own notes, not as a substitute. Personnel change: Brian Jones out (d. 1969), Mick Taylor in Many songs are still rif-based Turn away from studio experimentation, use of unusual instruments Return to a rhythm and blues and blues feel:- Use of R&B horn sectionso Punchy, percussiveo Comes in late in song- Return of blues forms and techniques- Raw, rough-edged sound- Not stif rhythmically (like 1st period)- Keith- mostly rifs, rhythms- Mick T.- almost all guitar solos “Honky Tonk Women” Altamont: death of Meredith Huntero Fourth Style Period (1974-present) Only first three periods will be on listening quiz and exam Personnel change: Taylor Out, Ron Wood in; Wyman quits band 1992 Turn away from raw, rhythm and blues sound Songs becomes highly polished, commercially slick productions More frequent dual lead guitar (Keith and Ron) ’78: Disco era- “Miss You”: disco oriented (released as 45 and
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