The NBA Live Franchise An analysis of gameplay and marketing advances over the years since its inception STS 145: History of Game Design Professor Henry Lowood 3/16/2004 1Pre-Game Warmups: Introduction Electronic Arts (EA), headquartered in Redwood City, California, is the world's leading independent developer and publisher of interactive entertainment software for personal computers and advanced entertainment systems. Year in and year out their games dominate the sports video games market. EA’s flagship and most popular basketball game, NBA Live, has advanced significantly in many areas of game design since its first release in 1995. This case study is an in-depth analysis of how EA Sports’ NBA Live series has advanced over the years, focusing on the ways in which it is exemplary of the evolution of video game design and marketing. Specifically, we will analyze the advances in game play (improvement of controls, realism, graphics, etc.) and the unprecedented marketing strategies that combined to make the NBA Live series such a huge success in the sports gaming industry. NBA Live was one of the few games on the basketball simulation market during its early years, leaving it with very little competition, which subsequently stagnated advances and innovation. Between its inception and about 1999, the game primarily advanced graphically as newer consoles and more powerful personal computers entered the market. Up until their 2002 release EA Sports sat comfortably on top of the market without making any groundbreaking gameplay innovations. In 2003, however, on the heels of intense competition from Sega with their NBA 2K series, EA introduced the Freestyle control, which revolutionized gameplay by allowing users to execute special moves by the moving of the right analog stick while dribbling, passing, or playing defense. Along with Freestyle control came shrewd marketing strategies to put NBA Live atop the market for basketball simulation video games and ensure that it remained number one. Early on, EA’s only targets for their new basketball game were hardcore videogame players and basketballfanatics – the casual gamer was left out of the mix. When competition was minimal this strategy was sufficient because NBA Live remained the leader in basketball simulation video games and saw no need to change their approach. As competition increased, however, EA introduced an urban theme highlighted by the packaging of a hip hop compilation soundtrack with NBA Live 2003. This marketing strategy of appealing to a new audience helped NBA Live reclaim the consumers that the NBA 2K series had taken away a few years earlier. First Quarter: The Tip Off Well before the introduction of the revolutionary EA Sports Freestyle control in 2003, the NBA Live series debuted in 1995 on the Sega Genesis, Super Nintendo, and DOS platforms, combining “fast action-packed gameplay with all the strategy and realism of 5-on-5 basketball”.1 The supposed strategy and realism that the ’95 edition touted was a far cry from the quality remediation seen in the most recent version. In fact, the main feature of the game was that it included the complete team rosters from all 27 teams in the NBA, the East and West All-Star teams, and the ability to create four custom teams.1 The controls were rather uncomplicated in comparison to the detailed syntax needed in present versions of the series, but this (along with other aspects of gameplay) was limited due to the platforms on which the games were played. Both the Super Nintendo and the Sega Genesis had at most 6 buttons and a directional pad; it was nearly impossible for EA to create syntactically complicated moves. Along the same lines, playing on 16-bit consoles, the realism that EA advertised definitely did not come from the http://www.mobygames.com/ 1 Nowadays complete rosters are no logner considered special at all, but actually necessary. 3graphics due to hardware limitations as well. The players depicted on the screen looked more like figurines than reproductions of the actual NBA players. Although it is easy to point out the gameplay limitations of the first version of Live, it still “stands as a classic title that started the evolution of the Live series to what it has become”.2 Just as the gameplay in the original game drastically differed from the recent games, the marketing strategies EA used to beat out the competition were different as well. Back in 1995, the only demographic buying and playing sports videogames were hardcore gamers and sports enthusiasts, so they became EA’s sole targets for NBA Live ’95.3 To grab their attention, EA sports placed print ads in popular gaming magazines like PC Gamer, hyping up the different technological advances (it featured “12 megs of intense gameplay” instead of eight, maintained capability to support 5 users at once, etc.4) of the game. Although putting an emphasis on the technological advances of the game would be pervasive throughout future marketing campaigns, actual gameplay innovations would be rather lacking. Between 1995 and 1999 only minor changes and features were added to the game; there were just enough new highlights in each game to make gamers buy the latest edition, but nothing truly new and excited was added. The main attractive feature of the games during this time frame was updated teams, rosters, and players. For example, one could not play the “old” NBA Live ‘95 in 1996 because the NBA had added two expansion teams that year. In order to play with the Toronto Raptor or Vancouver Grizzles, gamers had to fork over another $35. Moreover, with the addition of drafting and trading in NBA Live ’96, users could synch the rosters in their game with the wheeling and dealings of the actual NBA. And to not keep the gameplay too stagnant, “cool new dunks” and more offensive/defensive plays were added.5 4For the 1997 edition, EA was able to make significant graphical improvements utilizing the new Sony PlayStation and Sega Saturn. EA Sports also made its first release of the Live series on the Windows ‘95 platform. EA opted to still release NBA Live ’97 on the legacy DOS, SNES, and Genesis platforms so as not to completely eliminate those who had not yet upgraded their systems and had been the main target group in the previous two editions. The Live ’97 game was the first in the series to highlight an individual player from the
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