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TAMU MUSC 201 - Exam 1 Study Guide

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Exam 1 Study Guide Music and the Human Experience with Professor Kattari Medieval Era plainchants polyphonic mass troubadours and estampies rondeaus Early Middle Ages 476 1000 Late Middle Ages 1000 1450 Renaissance printing press Josquin des Pres imitative polyphony Lutheran chorale madrigals 1450 1600 Late Renaissance lute ayres and consort music Baroque operas 1600 1750 Early Baroque 1600 1650 Middle Baroque 1650 1700 Musical Genres 1 Plainchant a Monophonic Church Latin 476 800 Catholic Church b Hildegard Van Bingen 2 Estampie a Fast triple meter instrumental couple dance music South France 12th 14th century 3 Troubadour songs a Courtly love South France in Old French 12th 14th 4 Rondeau a Steady beat repeating refrain Old French 14th century Guillame Machaut Courtly love 5 Polyphonic mass a Josquin des Pres Melismatic Latin Catholic Church late 1400 s 6 Lutheran Chorale a Monophonic homophonic syllabic text setting vernacular 1520 s 7 Madrigal a Poly homo mono secular word painting Wilbye 1520 s 8 Lute ayre a Solo vocalist with chordal lute English secular Elizabethan late 16th 9 Consort Music 10 11 12 13 14 a Idiomatic instrumental compositions viol lute recorder Morley Elizabethan late 16th century Opera a Emotional dramatic stories vocalists and orchestra Monteverdi Itali Purcell England 17th century Plains Indian War Dance a Vocables steady beat religious Santeria ceremony music a Nigerian music preserved in Cuba call and response bata drums Anglo Celtic Jig a Folk dancing music with fiddle Anglo Celtic Ballad a Preserved in Appalachians from British Isles strophic


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