Slide 1Italian Art in the Late Middle Ages Before the Discovery of PerspectiveThe First Perspective ImagePerspective in ArtDevices for Drawing PerspectiveSlide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Suggesting a Moving CameraMultiperspective ImageSlide 15Slide 16van Eyck’s “Ghent Alterpiece” (1432)Hockney’s “Pearblossum Highway” (1986)Fisheye Lens ImageSlide 20Omnidirectional ImageSlide 22“Perspective is nothing else than the seeing of an object through a sheet of glass, on the surface of which may be marked all the things that are behind the glass.”-- LeonardoIn the Renaissance Filippo Brunelleschi Discovered PerspectiveItalian Art in the Late Middle Ages Before the Discovery of Perspectivedi Giovanni Fei, “The Presentationof the Virgin” (c. 1400)di Bartolo, “The Nativity ofthe Virgin” (c. 1400)The First Perspective ImageMasaccio’s fresco “Trinity” (c. 1427)Perspective in ArtGiotto, 1300(before perspective)Campin, 1430(after perspective)Devices for Drawing PerspectiveCamera ObscuraCamera LucidaPerspectographJan Vermeer, “The Music Lesson” (c. 1664)Perspective in Artoptical centersceneimage planePinhole CameraPinhole Cameraimage coordinatesAlberti’s GridPinhole CameraSuggesting a Moving CameraA multiperspective image incorporates many perspectives into a single, locally-coherent imageA moving window slides across the panorama, selecting frames for creating an animationfrom Disney’s film Pinocchio, 1940Multiperspective ImageExtracted framesMultiperspective Imagevan Eyck’s “Ghent Alterpiece” (1432)Hockney’s “Pearblossum Highway” (1986)Fisheye Lens ImageNot a single optical centerOmnidirectional
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