Twelfth NightTwelfth Night or What You WillTwelfth Night Dominant imagesTwelfth Night Plot structureTwelfth Night Subplot structureTwelfth Night Viola’s interaction w/other charactersTwelfth Night Olivia’s interaction w/other charactersTwelfth Night Feste’s interaction w/other charactersTwelfth Night Toby’s/Andrew’s/Maria’s interactionsTwelfth Night Malvolio’s interactionsTwelfth Night Orsino’s interaction w/other charactersTwelfth Night Integration of all CharactersTwelfth Night two worldsAs You Like It CouplesTwelfth Night FoilingTwelfth Night -- Act ITwelfth Night -- Act IITwelfth Night -- Act IIITwelfth Night -- Act IVTwelfth Night -- Act VTwelfth Night themesTwelfth Night and As You Like It comparison of main charactersTwelfth NightTwelfth NightCharacters,structure, and themesTwelfth NightTwelfth Nightor What You Willor What You Will•Title “What You Will” is like “As You Like It”–Does it mean “Whatever is your pleasure”?–Is it the ending that is as we like it? what we will?–Is the world they inhabit as we will? Golden world?–Are the characters? Rosalind and Viola most perfectTwelfth NightTwelfth NightDominant imagesDominant imagesViola/CesarioOrsino OliviaTwelfth NightTwelfth NightPlot structurePlot structure•Main Plot – wooing–Orsino/Olivia through Cesario (Viola)–Olivia/Cesario into Olivia/Sebastian–Viola (as Cesario)/Orsino–Olivia/Sebastian (whom she thinks is Cesario)Twelfth NightTwelfth NightSubplot structureSubplot structure•Subplots–Feste’s singing and begging–Sir Toby’s drunkenness–Sir Andrew’s wooing of Olivia–Malvolio’s Puritanism–Maria’s Jest–Feste’s revengeTwelfth NightTwelfth NightViola’s interaction w/other charactersViola’s interaction w/other charactersViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaCaptainSebastianAntonio1.41.23.4, 5.11.5, 3.1,3.4, 5.15.11.2, 2.4,5.12.4, 3.1,5.13.5, 5.12.1Twelfth NightTwelfth Night Olivia’s interaction w/other charactersOlivia’s interaction w/other charactersViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaCaptainSebastianAntonio1.51.51.5, 3.4, 5.11.5, 5.15.11.54.1, 4.3, 5.1Twelfth NightTwelfth Night Feste’s interaction w/other charactersFeste’s interaction w/other charactersViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaCaptainSebastianAntonio2.4, 3.1, 5.11.5, 5.11.5, 2.3, 4.2, 5.11.5, 2.3, 4.2, 5.12.4, 5.14.1, 5.1Twelfth NightTwelfth Night Toby’s/Andrew’s/Maria’s interactionsToby’s/Andrew’s/Maria’s interactionsViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaCaptainSebastianAntonio4.1, 5.13.1, 3.4, 5.11.5, 3.4, 5.11.5, 2.3, 4.2, 5.11.3, 1.5, 2.1, 2.5, 3.4, 5.11.5, 2.3, 4.2, 5.1Twelfth NightTwelfth Night Malvolio’s interactionsMalvolio’s interactionsViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaSebastianAntonioCaptain1.5, 3.4, 5.12.12.3, 4.2, 5.11.5, 2.3, 2.5, 3.4, 5.1Twelfth NightTwelfth Night Orsino’s interaction w/other charactersOrsino’s interaction w/other charactersViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaCaptainSebastianAntonio1.4, 2.4, 5.15.12.41.4Twelfth NightTwelfth NightIntegration of all CharactersIntegration of all CharactersViolaOrsino’smenOliviaFesteOrsinoSir AndrewSir TobyMalvolioMariaCaptainSebastianAntonioTwelfth NightTwelfth Nighttwo worldstwo worlds•Orsino’s / masculine–Talk of hunting–Music/emotion–Love is unrequited–Wooing through intermediary (Cesario)–Direct wooing (Viola)•Olivia’s / feminine–Talk of grief–Jesting /tricks–Love is impossible–Wooing through intermediary (Malvolio)–Direct wooing (Olivia)–Supposed wooing (letter to Malvolio)As You Like ItAs You Like ItCouplesCouples•realistic–Viola/Orsino•romantic–Olivia/Sebastian•Sexual–Sir Toby/Maria•Inappropriate–Malvolio/Olivia and Sir Andrew/Olivia and Olivia/ViolaTwelfth NightTwelfth NightFoilingFoiling•Character foiling–Viola/Olivia, both lost brothers–Viola/Olivia/Orsino—all have love unrequited–Viola/Feste, both travel freely between households–Viola/Sebastian, both lost sibling, are strangersTwelfth Night -- Act ITwelfth Night -- Act IScene 1Orsino sadScene 2Viola sadTo serve OrsinoScene 3Sir Toby drunkMaria aidsScene 4Viola and OrsinoScene 5Maria/FesteFeste/OliviaOlivia/MalvolioOlivia/Cesario (Viola)Twelfth Night -- Act IITwelfth Night -- Act IIScene 1Antonio/SebastianScene 2Malvolio/CesarioScene 3Sir Toby/AndrewMaria/FesteMalvolioScene 4Orsino/ViolaFesteScene 5Maria’s JestMalvolio letterTwelfth Night -- Act IIITwelfth Night -- Act IIIScene 1Viola/FesteSir Toby/AndrewViola/OliviaScene 2Sir Andrew toChallenge Cesario Scene 3Sebastian/AntonioScene 4Olivia/Malvolio, yellow stockingsSir Toby to care for MalvolioOlivia/CesarioViola challenged by Sir AndrewAntonio rescues ViolaTwelfth Night -- Act IVTwelfth Night -- Act IVScene 1Feste/SebastianSebastian fights Sir TobyOlivia breaks up fightScene 2Malvolio’s tormentFeste as Scene 3Olivia and Sebastian marryTwelfth Night -- Act VTwelfth Night -- Act VScene 1Feste/FabianFeste/OrsinoViola/Orsino/AntonioOlivia/Orsino/CesarioSebastian/Sir Toby/Sir AndrewViola/SebastianMalvolioFeste’s SongTwelfth Night Twelfth Night themesthemes•Masculinity and Femininity•Nature of love (unrequited), of wooing•Grief•Loyalty•Revenge•Puritanism: no fun, no drink, no songTwelfth Night and As You Like ItTwelfth Night and As You Like Itcomparison of main characterscomparison of main characters•Rosalind–Father absent–Cousin/sister Celia–Disguise for fun and protection–Gets Orlando to woo her as Ganymede. Teaches him about love–Both masculine and feminine•Viola–Father dead, brother lost–Alone–Disguise necessary for modesty–Wooes Olivia for Orsino, Admits love for him, teaches him how to love–Both masculine and