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Current Issues in Film1. What is “film”?Slide 3Slide 4Slide 5Slide 6Slide 7Slide 8Slide 9Slide 10Slide 11Slide 12Slide 13Dogme 95’s “Vow of Chastity”:2. “Ownership” of filmSlide 16Slide 17Slide 18Slide 19Slide 20Slide 213. Originality—Is there anything really new?4. Cultural Imperialism & Film5. Technology over Content?Slide 25Slide 26Slide 27Slide 28endCurrent Issues in FilmCOM 2211. What is “film”?AcquisitionEditingDelivery SystemsFor all: Analog vs. DigitalMedia:FilmMedia:FilmTape—2”, ¾”, ½” (Betamax, VHS), DVMedia:FilmTape—2”, ¾”, ½” (Betamax, VHS), DVDisc—Laser, DVD, BluRayMedia:FilmTape—2”, ¾”, ½” (Betamax, VHS), DVDisc—Laser, DVD, BluRayComputer/Hard-driveMedia:FilmTape—2”, ¾”, ½” (Betamax, VHS), DVDisc—Laser, DVD, BluRayComputer/Hard-driveStreamingMedia:FilmTape—2”, ¾”, ½” (Betamax, VHS), DVDisc—Laser, DVD, BluRayComputer/Hard-driveStreamingMicro-cinemaNonlinear editing (old AND new)Nonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)Nonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)“Digital Cinema”—Convergence of digital technologies with filmFilm vs. HD videoNonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)“Digital Cinema”—Convergence of digital technologies with filmFilm vs. HD videoMitchell S35R Mark II 35mm reflex film camera Panasonic AJ-HPX3000G HD video cameraNonlinear editing (old AND new)Aspect ratio (1.33:1, 1.85:1, 2.35:1)“Digital Cinema”—Convergence of digital technologies with film“Film Purists” The strange case of Dogme 95started in 1995 by the Danish directors Lars von Trier and Thomas VinterbergDogme 95’s “Vow of Chastity”: 1. Filming must be done on location. Props and sets must not be brought in. If a particular prop is necessary for the story, a location must be chosen where this prop is to be found. 2. The sound must never be produced apart from the images or vice versa. Music must not be used unless it occurs within the scene being filmed, i.e., diegetic. 3. The camera must be a hand-held camera. Any movement or immobility attainable in the hand is permitted. The film must not take place where the camera is standing; filming must take place where the action takes place. 4. The film must be in colour. Special lighting is not acceptable (if there is too little light for exposure the scene must be cut or a single lamp be attached to the camera). 5. Optical work and filters are forbidden. 6. The film must not contain superficial action (murders, weapons, etc. must not occur.) 7. Temporal and geographical alienation are forbidden (that is to say that the film takes place here and now). 8. Genre movies are not acceptable. 9. The final picture must be transferred to the Academy 35mm film, with an aspect ratio of 4:3, that is, not widescreen. Originally, the requirement was that the film had to be filmed on Academy 35mm film, but the rule was relaxed to allow low-budget productions. 10. The director must not be credited. 254 Films have been “registered”—e.g., Julien Donkey-Boy (1999, Harmony Korine), Dogville (2003, Lars von Trier), The Celebration (1998, Thomas Vinterberg)2. “Ownership” of filmWho's the author?CopyrightHow long? Post-1978—generally, life of the author + 70 years OR for work-for-hire, 95 yearsPiracy In-theater copying--Tarzan, Star Wars Episode IOnline pirated distributionWho has the right to change, edit? Colorization (derivative work; public domain)Who has the right to change, edit? Colorization (derivative work; public domain) Pan & Scan vs. Letterboxing e.g., Lord of the Rings: The Return of the KingLet’s watch a Turner Classic Movies featurette on pan & scan vs. letterboxing!http://www.youtube.com/watch?v=5m1-pP1-5K8Who has the right to change, edit? Colorization (derivative work; public domain) Pan & Scan vs. Letterboxing  “Clean Flicks” caseLet’s watch a short video about “Clean Flicks”3. Originality—Is there anything really new?Remakes and sequels and prequels and adaptations“Synthespians”Read our class article (online)Indies—their ultimate institutionalization4. Cultural Imperialism & FilmAmerica entertains the world—does it also impose its values on other cultures?European Union’s reactions to Hollywood5. Technology over Content?The age of Avatar5. Technology over Content?The age of Avatar5. Technology over Content?The age of Avatar5. Technology over Content?The age of Avatar5. Technology over Content?The age of


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CSU COM 221 - Current Issues in Film

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