Frankenstein, Akira, and BeyondSlide 2Emergence of AnimeWorld War IIComparison Between Mary Shelley’s Frankenstein and AkiraWhat are the Parallelisms?Akira’s Influences in the WestReflections on SocietyIn Other MediumSlide 10Slide 11Slide 12Slide 13FrankensteinFrankenstein, , AkiraAkira, and Beyond, and BeyondThe Ebb and Flow of Cultural ExchangeThe Ebb and Flow of Cultural ExchangePresented By: Jackie Bernstein Jarreau Bowen Scott Lanum Kevin McLeanTradition of Tradition of StorytellingStorytellingAncient folklore first Ancient folklore first recorded in early 8recorded in early 8thth century centuryPoetry Poetry Visual storytellingVisual storytellingMeiji PeriodMeiji PeriodManga develops from Manga develops from newspaper comicsnewspaper comicsEmergence of AnimeEmergence of AnimeCartoonists experiment with Cartoonists experiment with animation (1914)animation (1914)First feature film First feature film MomotaroMomotaro (1918)(1918)Various animation stylesVarious animation stylesSmall industrySmall industryInspiration from American Inspiration from American marketmarketWorld War IIWorld War IIWestern influenceWestern influenceMilitary theme develops (1930’s)Military theme develops (1930’s)Propaganda films made during the warPropaganda films made during the warU.S. bans media with military themesU.S. bans media with military themesComparison Between Mary Comparison Between Mary Shelley’s Shelley’s Frankenstein Frankenstein and and AkiraAkiraThere was non among the myriads of men that existed who would pity or assist me; and should I feel kindness towards my enemies?5 No: from that moment I declared everlasting war against the species, and, more than all, against him who had formed me and sent me forth to this insupportable misery. (Frankenstein, chapter 16) Katsuhuro Otomo’s Akira, scene 23What are the What are the Parallelisms?Parallelisms? Central Conflicts -- A battle between the monster and the humanity found within the monster, as well as a battle between the monster and society Similar Conclusions-- Both Frankenstein and the power of Akira are not meant for our current plane of existence The Creation of a MonsterThe Creation of a Monster -- In both -- In both Akira Akira and and FrankensteinFrankenstein, the monster created is the result , the monster created is the result of of a quest to harness the power of science to positively effect a quest to harness the power of science to positively effect mankindmankind The Trinity of Transgression --The Creator, the Transgressor, and the Memory BearerAkira’s Influences in Akira’s Influences in the Westthe WestNatural Born KillersNatural Born KillersThe MatrixThe MatrixRemakes of Akira (by WB) for Modern AudienceRemakes of Akira (by WB) for Modern AudienceReflections on Reflections on SocietySocietyMessage of the Dangers of TechnologyMessage of the Dangers of TechnologyReflections on Power and ControlReflections on Power and ControlIn Other MediumIn Other MediumGhost in the ShellGhost in the ShellDark Horse ComicsDark Horse ComicsMiscellaneousMiscellaneousAcademy of Motion Picture Arts and Science (Marc Davis Academy of Motion Picture Arts and Science (Marc Davis Lecture on Animation)Lecture on Animation)Website: http://www.armchairempire.com/AnimeReviews/akira2001.htm, last updated on August 16, 2003.5Website: http://www.houseofseoul.com/anime/anihist.html, last updated on 19 October 2003.http://www.japan-guide.com/e/e2124.html 5Website: http://www.dnp.co.jp/museum/nmp/nmp_i/articles/manga/manga4-1.html, last updated on 26 November 2003.5Website: http://az.essortment.com/historyjapanes_rdck.htm, last updated on 4 April 2003.55Website: http://www.ludd.luth.se/users/jingoo/oldanime/akira/bilder.html, last updated on 7 August 2003. 555Website: http://www.tapanime.com/info/history.html, last updated on 21 January 2003.Website: http://www.kanzaki.com/jinfo/jliterature.html, last updated on 21 November 2003.Website: http://ny.essortment.com/historymanga_rqyz.htm, last updated on 12 October 2003.Website: http://www.dnp.co.jp/museum/nmp/nmp_i/articles/manga/manga1.html, last updated on 13 November 2003.Works ConsultedOnline Collection: http://orbita.starmedia.com/marionette_gallery/personajes/la_banda_de_Kaneda/kaneda/akira248.jpg, last updated on 30 October 2003.Website: http://orbita.starmedia.com/marionette_gallery/personajes/la_banda_de_Kaneda/tetsuo/akira154.jpg, last updated on 17 November 2003.Website: Scarum, Harum. "Preaching the Post-Enlightment Judgement Day to a Fictional Congregation: From Coleridge's Rime of the Ancient Mariner to AKIRA.“ http://members.tripod.com/~gila42/index- 12.html, last updated on 25 Nov 2003.Napier, Susan J. "Anime from Akira to Princess Mononoke: Experiencing Contemporary Japanese Animation." New York: Pelgrave 2000.Sibbald, Vanessa. "'The Matrix' film history 101." The Mercury News. 9 May 2003.Vallen, Mark. "A Night At The Academy-Anime Comes Of Age." The Black Moon. 18 Nov 2001.Works Consulted, ContinuedWebsite: http://orgs.unt.edu/sec6/gfx/motoko1.gif, last updated on 2 December 2002.Shelley, Mary. Frankenstein. Puffin Publishing. New York. 1818.Otomo, Kamaturo. Akira. Anitech. Tokyo. 1987.Lee, Felicia. Consultant. November 2003.Works Consulted,
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